Spanish Guitar
Open
Tip of the Day
If your search fails to find what you are looking for try browsing(top & side menus)
ABRSM & Trinity Exam Finder
About Us
Call us
FAQ
Want to know how to change your password or add an item to a completed order? Queries about shipping, Paypal and the answer to many others can be found on our updated FAQ page!
Book of the Month
Testimonials
Cuenca Guitars
VIDEOS: CUENCA Guitars auditioned by Fernando Espi (Madrid Conservatoire) View the playlist.
-
Nail Papers (single pack)...
-
The Guitarist's Way, Book 1...
-
ProArte: EJ45 Silver/Clear/Normal Tension...
-
Gitano Guitar Support(2017)...
-
The Guitarist's Way, Book 2...
-
The Complete Studies for Guitar (Ophee/de Klo...
-
The Guitarist's Practice Book...
-
The Young Guitarist's Progress: Part 1...
-
The Young Guitarist's Progress: Part 2...
-
Guitar Scales, Arpeggios & Studies Initial to...
Modern Guitar Technique
OFFERMANN, Thomas
Product Information
- Author: OFFERMANN, Thomas
- Type: Book Only
- Language: English
- Skill Level: Intermediate / Advanced
- Pages: 240
- Availability: Available
- Stock Reference: UOLB036
Full Description
Thomas OFFERMANN
Modern Guitar Technique
Prelude: About the book
Integrative Guitar Technique: An Introduction
Technique: A contradiction of the guitar in its natural state?
Physiological basis for guitarists
Posture and movement
Technique: exercises
Warm-up: proprioceptive exercises
Right hand technique
Left hand technique
Coordination and Synchronization
Contorted and Bent
Appendix
This publication is an objective contribution to Guitar technique with a framework derived from a knowledge-base drawing on anatomic and physical factors.
Instrumentalists make mistakes only when playing their instrument without conscious and mindful awareness. Any viable instrumental technique can only be based on natural movements executed without any cognitive feedback but with conscious proprioception.
Stating that pre-tension is a precondition for any movement leads to the conclusion that the demand for ‘relaxed instrumental playing’ as such is paradoxical.
