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• Viewing:
• » Music & Books
• » Guitar Solos
• » Solos: Works by Composer A-Z
• » 24 Preludes (grondona)_PONCE, MANUEL MARIA

Full Description

Manuel M PONCE
24 Preludes

edited by Stefano Grondona

1. Preludio in C major
2. Preludio in A minor
3. Preludio in G major Allegretto
4. Preludio in E minor
5. Preludio in D major Andante
6. Preludio in B minor Allegretto
7. Preludio in A major Vivo
8. Preludio in F# minor Tranquillo
9. Preludio in E major Allegretto vivo
10. Preludio in C# minor Moderato
11. Preludio in B major Vivo ABRSM 2019 Grade 7
12. Preludio in G# minor Un po' animato
13. Preludio in F# major Andante
14. Preludio in D# minor
15. Preludio in Db major
16. Preludio in Bb minor Allegretto
17. Preludio in Ab major Andantino mosso
18. Preludio in F minor Andante
19. Preludio in Eb major (chant populaire mexicain)
20. Preludio in C minor
21. Preludio in Bb major
22. Preludio in G minor Agitato
23. Preludio in F major Allegro
24. Preludio in D minor Moderato espressivo (chant populaire espagnol) ABRSM 2019 Grade 6

What GHE say about this edition:

70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona.
We proudly present a totally new edition with audio-CD of the 24 Preludios para guitarra. The accompanying CD includes all 24 Preludios as well as 4 bonus tracks of music by Ponce played by Stefano Grondona, the Sonata III and the Variaciones sobre un tema de Antonio de Cabezon.
This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts.
With this publication it is now possible to clarify some long-standing issues relevant to an accurate final music text. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included.
We take the opportunity to thank the Facultad de Musica de la Universidad Nacional Autonoma de Mexico for their generous collaboration and encouragement received while preparing this edition as well as for their permission to reproduce parts of the original manuscripts. We are indebted also to the distinguished Mexican guitarist and Ponce scholar Miguel Alcazar for his help, support and information also generously given.

ponce 24 preludes grondona chanterelle

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